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Sishel Claverie
"The smoldering Carmen... (the smoky-toned mezzo-soprano Sishel Claverie) won me over... Ms. Claverie finally sang the "Habanera". Now that was a riveting moment."
-The New York Times
"But the night belonged to mezzo Sishel Claverie, as Maria...
She's a force of nature, with a volcano-deep voice, a stage presence that bursts past the footlights, and silky seductive charm."
- Houston Press
"Mezzo-soprano Sishel Claverie entertained the audience with acrobatics and other scene-stealing antics, and her rendition of "Il vecchiotto cerca moglie" displayed substantial vocal goods."
- Opera News
Mezzo-soprano Crossover Actor Stage Director

Described as an “alluring smoky-toned mezzo” by The New York Times, and as “a force of nature” by the Houston Press, Mexican American Mezzo-soprano Sishel Claverie, enjoys a versatile career in opera, musical theater, new music and multidisciplinary collaborations.
Recently, Mrs. Claverie will make her debut with
St. Pete Opera in the title role of Bizet’s Carmen. She has performed this iconic role on numerous occasions, most notably with El Paso Opera and the innovative Heartbeat Opera, praised by the New York Times as a “riveting and smoldering Carmen”.
As a stage and creative director, she made her NYC debut last season with MACC Ensemble’s choral-theater production Seven Last Words, for which she also designed and performed live analog projections. She has additionally served as stage and creative director for the Santa Fe Opera Young Voices Scenes Showcase in 2024 and 2025.
Other performance highlights include Bernstein’s MASS with the National Symphony Orchestra, Renata in the mariachi-opera El Milagro del Recuerdo with San Diego Opera, and Olga in the daring adaptation of Eugene Onegin by Heartbeat Opera.
A champion of new operatic works, Mrs. Claverie has been involved in a number of world premieres, including: the role of Enid in Constance: A Confession, with Experiments in Opera; the role of Renata in the alternate cast of Houston Grand Opera’s El Milagro del Recuerdo. She created the role of Carmelita in Ted Rosenthal’s jazz-opera, Dear Erich, with the New York City Opera, and the role of Gloria in the video-opera series Everything for Dawn by Experiments in Opera, among others.
Sishel has engaged in a range of multidisciplinary collaborations, including her role as Carmen/Lola in the short film Chinese Laundry, directed by Giorgio Arcelli (Fourth Wall Pictures). She also led Forever IN Between, a multimedia vocal chamber music concert developed as a recipient of the City Artist Corps grant. Additionally, she contributed to the online adaptation of Verdi’s Macbeth, titled Lady M, in collaboration with Heartbeat Opera, which explored innovative uses of video footage and electronic sound design.
Ms. Claverie has held residencies with several esteemed companies, including the Santa Fe Opera, Utah Opera, the Britten–Pears Young Artist Programme in Aldeburgh, the Renata Scotto Opera Studio in Rome, and S.I.V.A.M., Mexico's renowned Young Artist Program.
An advocate of opera for the youth, Sishel has participated in more than ten productions specially tailored to children and teenagers, having sung nearly 800 performances.
Mrs. Claverie holds a Bachelor's Degree in Music from the University of Houston and a Master's Degree in Music from Rice University. She currently resides in New York City, with her husband Artie and their two adorable kitties.

